Lynette Tritel Photography
www.lynettetritelphotography.com
e-mail: [email protected]
« March 2009 | Main | May 2009 »
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Here is a necklace I did some time ago. I called it "Pink Lady".
What's better than to surround your Lampwork Beads with Off Loom Bead Weaving?
I created the focal piece with Model Magic by Crayola as learn in a Nanc Meinhardt class. I used mainly Peyote Stitch creating this necklace. Note the smaller Lampwork Beads on the bead covered Model Magic center piece.
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This piece was lampworked from the bottom of the Kahlua Bottle. With careful working I am able to keep the bottle design on the piece. I think this gives the Brooch a bit more character.
A Kahlua bottle has enough glass to create many beads but there is only one bottom. From that bottom of the bottle I get two pieces and sometimes 3 to work with.
This piece along with all of my work is showing at Arts Prescott Cooperative Gallery.
Drop by and visit our gallery on Historical Whiskey Row and enjoy 24 local artists work.
Posted at 09:53 AM | Permalink | Comments (0) | TrackBack (0)
Here is a used Spinning Wheel which Jo Manginelli, a Prescott Spinner and Weaver has for sell. She has 5 wheels and decided to downsize her wheel collection. The Saxonie is a sweet deal.
Saxonie Spinning Wheel
Classic
Style, super smooth heel and toe
treadling, can be reversed for left or right spindle, frictionless ball bearings
and pitman drive, single hook flyer and easy change bobbins, lightweight, five ratios.
This wheel has a Scotch tension brake and flyer lead. The body is made of native New Zealand Rimu wood (distinctive reddish brown) and has turned wood spindles in the flywheel. The flywheel is made of a wood grain finished composite material so it should not warp and should run very true.
The speeds are changed by moving the stretchy drive belt from one groove into another. The stretchy belt takes care of belt tension, no need to fiddle with a belt adjuster.
Contact Jo at:[email protected]
928-776-0052
Jo Manginelli also reports, "Les Femmes des
Montage first annual Spring Art Boutique and Mini-Workshop Day will be held
at the Yavapai Hills Club House, Prescott, Saturday, May 2,
2009 from 9 am
til 4 pm. Come and spend a Spring day with us, browse through our wonderful
artists' new collections and see the works of art completed in our
workshops. Socialize and relax at our refreshment table. Enter our FREE
raffle (a basket filled with our artists diverse work).
The artists of
Les Femmes des Montage are: Aumtumn Summerfield, Sharon McFeely, Maria
Lynam, Jo Manginelli, Barb Wills, Mary Schulte, Cindi Shaffer, Betsy Khalife
and Patricia Tyser Carberry.
Posted at 07:45 AM | Permalink | Comments (2) | TrackBack (0)
A This piece has no closure to deal with. The necklace is long enough to fit over the head easily. The main stitch is Tubular Peyote.
Kahlua recycled bottle glass was used to lampwork the focal bead which is adorned with a Vintage German Button. Throughout the necklace you will find smaller Kahlua beads, fresh water pearls, an African Amber Bead and several fun glass beads and buttons. Note the round Kukui nuts covered with Peyote Stitch. One Kukui nut is showing through the Peyote Stitch covering. This is just one form of many that I love to use during the Off Loom Bead Weaving process.
A fit of information about the Kukui nut taken from http://www.islandlotions.com/kukuinuts.htm
"In 1959 the Kukui nut tree became the
official state tree of Hawaii. Botanically it is classified aleurites moluccana.
Since scientists have found traces of Kukui pollen in ancient geological
deposits, it may be assumed that the Kukui nut tree is indigenous to Hawaii."
"Of all the Hawaiian trees, the Kukui has the lightest colored foliage.
Silver-grayish powder on its leaves makes it quite conspicuous in the forest and
it is easily spotted. Trees grow on the lower slopes of the mountains, mostly in
gulches. When cramped in narrow gulches, the trunks grow straight upwards,
attaining heights of 80 feet or more, with diameters of about 2 1/2
feet."
"Trees branch 30 feet or more above the ground and at the end of the
branches small greenish-tinged white flowers bloom. These flowers, along with
the trees distinctive leaves, are often seen entwined in leis. The fruit of the
Kukui is about 2-inches in diameter. The outer part of the fruit is a hard
green covering about 1/4 inch thick when immature and as it matures it turns a
dark grayish-black and softens. This portion of the fruit decays rapidly after
it falls to the ground. Enclosed within are one or two hard, stone like,
wrinkled nuts. When young the shell of the nut is whitish, but as it matures it
turns brown, then black."
Posted at 07:52 AM | Permalink | Comments (0) | TrackBack (0)
Woodturning and
Wood Marquetry
Juried
YCC Student Guest Show
Jim Dotseth
Josh McClintock
David Piatak
Doris Benally
Doug Askerman
Dick Kelly
Tom Saylor
Reception: April 24, 2009 - 6pm — 8pm
This Reception is hosted by the guest artists during the Art Walk. Drop by Arts Prescott for the Reception and pick up your Art Walk Tour Guild.
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While checking the web site of Loom N Essence I found the new Free Standing Distaff made by Willard Taylor in the Bay Area.
Normally I get to see Will's newest work when I visit Spinning at The Winery where over 100 Spinners meet to Spin for the day among a few great Vendors. This year I won't make it so here is a photo I picked up at Loom N Essence of Will's newest creation.
Sharon Poplawski writes,
"Will designed this free -standing distaff with all the needs of the spinner in mind. Notice the clay pot (for adding water) which is strategically positioned for your ease and comfort. Mobility - spinners no longer need to worry about how to affix their distaff to their wheels, just place your free standing distaff where you feel most comfortable. Topping off the design is the striking reed distaff basket. As a fellow spinner, you immediately recognize Will's quality woodworking but add to that is your appreciation of his total attention to detail. Available in oak, cherry, walnut."
Available thru Loom N Essence -- www.loomnessence.net
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Arts Prescott Cooperative Gallery members know that a holiday is coming just by checking out Mary Kaye O'Neill's Jewelry Case.
This Easter Mary Kaye has her own Easter Egg Tree. Bunnies are found throughout her Sterling Silver Jewelry Design.
Easter Bunnies among Mary Kaye's jewelry bring attention to the detail in her work. Wouldn't you love to have one in your Easter Basket?
Here is one of Mary Kaye's signature pieces. Sterling silver Cactus on Sterling
Silver, of course.
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Calling: Instructors for Fibers Through Time 2010! -- http://www.azfed.org/
Workshop Instructors applications close May 30, 2009 -Vendors welcome until spaces are gone.
The Arizona Federation of Weavers and Spinners Guilds, Inc. is planning their sixth biannual conference for April 15-18, 2010. The name of the conference will be "Fibers Through Time 2010" and the theme is "Fiber Odyssey".
This conference will be held at the:
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Clay Artist Janet Childress shows her Easter Bunny Art in the Arts Prescott Cooperative Gallery Easter Egg Window 2009.
A bit of history about The Easter Bunny:
As written on the web site: http://www.easterbunnys.net/easterbunnyhistory.htm
"The Easter bunny has its origin in pre-Christian fertility lore. The Hare and the Rabbit were the most fertile animals known and they served as symbols of the new life during the Spring season."
"The bunny as an Easter symbol seems to have it's origins in Germany, where it was first mentioned in German writings in the 1500s. The first edible Easter bunnies were made in Germany during the early 1800s. These were made of pastry and sugar."
"The Easter bunny was introduced to American folklore by the German settlers who arrived in the Pennsylvania Dutch country during the 1700s. The arrival of the "Oschter Haws" was considered "childhood's greatest pleasure" next to a visit from Christ-Kindel on Christmas Eve. The children believed that if they were good the "Oschter Haws" would lay a nest of colored eggs."
"The children would build their nest in a secluded place in the home, the barn or the garden. Boys would use their caps and girls their bonnets to make the nests . The use of elaborate Easter baskets would come later as the tradition of the Easter bunny spread through out the country."
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Arts Prescott Cooperative
Gallery is happy to feature Tony Reynolds as part of the Arts Prescott Gallery.
[email protected]
www.tonyreynolds.com
www.tonyreynolds.com/blog
www.dcourier.com/main.asp?SectionID=101&l=1
Here is a Tony Reynold's piece in our home on Peppertree in Prescott. Along with the Tony Reynold's Tree Sculpture is 2 of Cindy Myers' Hand Blown Glass Lamps. I love glass and clay art work.
Tony writes on his web site:
"Trees were so rare in that country, and they had to make such a hard fight to grow, that we used to feel anxious about them, and visit them as if they were persons. It must have been the scarcity of detail in that tawny landscape that made detail so precious."
Willa Cather (1873 - 1947), My Antonia 1918
"A couple of sentences lifted from a old book, not even the whole story, but they have hit one of those chords you get now and then when things and events seem to come together auspiciously."
"I began these landscapes as an extension, a progression, of the work I was doing with ceramic vessels and crystalline glazes. I had never really been a potter but the clay seems to feel right in my hands. Most of my explorations have been sculptural, but working in the vessel form has allowed me to concentrate on volume and abstraction. However, it was inevitable that I would return to the sculptural so that I could narrate my mind’s stories rather than make universally familiar objects."
Posted at 08:43 AM | Permalink | Comments (0) | TrackBack (0)
"For as long as there has been Easter, there has also been Easter eggs. The egg is seen as a symbol of new life. For thousands of years, it has been the custom to give eggs as gifts at spring festivals. A question often asked by children is, "Why does a bunny bring Easter eggs and not a chicken?" There seems to be two explanations. First, the goddess, Easters's, favorite animal was a hare; hence it was believed that a hare delivered her eggs. A second explanation is based upon a legend about a woman who dyed eggs for her children at Easter. She hid them in a nest and when the children found the nest, a big rabbit hopped away. They thought the rabbit brought the eggs, and the story spread."
"Easter is a major celebration in the Ukraine. Part of this celebration involves the decoration of eggs. Eggs decorated with plain colors or simple designs are called krasanki. Pysanki are extraordinary, distinctive eggs which may take 6-8 hours to decorate. An old Ukrainian custom involved single women dropping their pysanki into a stream in hopes that the eggs would be retrieved by a suitor, for the girls had inscribed their names on the eggs"
"The Easter Egg Tree is a custom that has come to us from several European countries, particularly Germany and the Ukraine: "The Easter egg tree had become a fairly recent tradition in America because of the widespread popularity of Katherine Milhous's children's book, "The Egg Tree." This custom of decorating evergreens or leafless trees with colored eggs had its origin in the years following the Civil War. The older practice of suspending eggs in their natural colors on bushed and small trees outdoors was a custom of earlier date."
Posted at 08:16 AM | Permalink | Comments (0) | TrackBack (0)
"Loves Merlot" is created with Lampwork Beads and some off loom bead weaving on the focal pendant.
Recycled Merlot Bottle Glass is one of my favorite wine bottles to create my beads. The dark green color stands out when worn.
Note the two hollow lampwork beads on this piece. Hollow beads reflect more light and they naturally are lighter in weight. I use a lot more off loom bead weaving in most of my pieces, but this necklace is simply Merlot.
The brooch is Right Angle Weave Off Loom Bead Weaving with size 11 seed beads. All of the seed beads are from my tray of Arizona Bead Soup.
The Light Green Lampwork Beads are created with Chardonnay Recycled Glass. The pin back runs vertical so you may also slip it through a chain and wear it as a pendant.
The focal piece is a Vintage Glass Button. www.artsprescott.com
My work can be found at Arts Prescott Cooperative Gallery on Historical Whiskey Row.
Posted at 08:19 AM | Permalink | Comments (0) | TrackBack (0)
I see art in the reflections of the sun and it changes throughout the day. Sometimes by the time I get my camera out the reflection has changed once again.
Here is my straw turtle which I found at a Sun City, Arizona Estate Sale. The turtle houses a Hand Blown Glass Bowl by Cindy Myers which holds my great Glass Marble Collection. One thing I always notice at Arts Prescott Cooperative Gallery on Historical Whiskey Row is when the light hits Cindy's glass art it creates more art on the wall with light reflections once again.
I checked Wikipedia's idea of glass reflections and they write, "
"Critical angle" redirects here. For the aviation term, see
Angle of
attack.
"The larger
the angle to the normal, the smaller is the fraction of light transmitted, until
the angle when total internal reflection occurs. (The color of the rays
is to help distinguish the rays, and is not meant to indicate any color
dependence.)"
This Clay Art sculpture was created by Ed Branson during his teaching career at Yavapai College in the Art Department.
I purchased this piece at a Yavapai College Art Gallery Show in 2000.
Ed Branson writes, "During the thirty years that I have been at Yavapai College, several interests have affected the images in my art. My response to those influences has been shaped by my instinct to see things from a designer/craftsman point of view as opposed, for instance, to a painterly outlook. I have always liked to draw, and even in my ceramics I look for edge and line, as well as responding to the clay itself."
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